Family comes first
Set in Denmark’s underbelly, first time writer/director Jeanette Nordahl’s striking Scandi noir follows an impressionable teenage girl who’s placed in the care of an estranged relative (a remarkable Sidse Babett Knudsen), the head of a family crime syndicate.
After losing her mother in a car accident, shy and grieving 17-year-old Ida (Sandra Kampp, a major discovery) is taken in by her aunt Bodil (Knudsen) and her three adult sons in the Danish countryside. Ida hardly knows this brassy, suburban matriarch, but it’s a tender and welcoming environment so she soon settles into the new surroundings. They’re a loving - if dysfunctional - family at first glance, and it’s not until Ida learns of the shady nature of the family business that she begins to see through their gestures of affection and concern. Even so, young Ida finds herself drawn more and more into their world, and this complicity spurs some overwhelming moral and emotional choices.